Thursday, November 19, 2020

Every Little Crook and Nanny

Every Little Crook and Nanny

Published by Signet 1974

 

It’s clear from the cover copy that Signet was trying to sell this novel as another hard hitting crime story in the vein of Hunter’s 87th Precinct series. Even going so far as to mention the series and Hunters pseudonym above his own name. With descriptors like “A price had to be paid- in gold or blood…” and “Violence! Vengeance! Intrigue! Betrayal! ” readers would be forgiven for expecting some kind of cross between The Godfather and The Executioner. Providing they can over get this egregious bit of bait and switch, anyone giving this book a chance will discover a wonderfully written and very funny farce.

 

The set-up is simple. The Nanny employed by mafioso Carmine Ganucci discovers her charge has been kidnapped while her boss is on vacation in Italy. In an effort to solve the problem before Ganucci finds out, Nanny contacts low-level flunky Benny Napkins for help. Benny’s scheme to quickly raise the ransom money triggers one miscommunication after another, until everyone in Ganucci’s gang is unintentionally working at cross-purposes. Instead of a string of dominoes falling, this endless series of accidental sabotage is like the wrong pieces of a puzzle being jammed together.

 

Hunter adopts an interesting style for this book, almost Runyonesque, but without Runyon’s excessive gangster patois. Characters say each other’s full names a lot, and have whole conversations without ever realizing they’re talking about different topics. One’s tolerance for this Who’s-On-First dialogue will probably determine how much they enjoy this book. I found it to be a lot of fun and highly recommend it.




Friday, April 10, 2020

The Name's Buchanan

The Name's Buchanan by Jonas Ward
Published by Gold Medal 1956

William Ard, creator of hardboiled protagonists Timothy Dane and Lou Largo, wrote his best known character under the pseudonym Jonas Ward. The Name’s Buchanan is the first book in the titular character’s series. Unlike Ard’s detectives Buchanan is far from hardboiled. He’s an open, honest and friendly guy. He’s slow to rile, but extremely deadly with guns or fists if pushed.

The story involves Buchanan returning from Mexico where he’s been working as a hired gun. Unfortunately for him, his first stop upon returning to the states is Agrytown, a corrupt little burg owned and operated by Simon Agry. Buchanan’s arrival in town coincides with that of Juan del Cuervo, the son of a wealthy Mexican family from just across the border. He has come to Agrytown seeking revenge for the rape of his sister by Agry’s good-for-nothing son. Things get complicated from there, and nothing goes exactly as expected, either for the reader or the characters.

 The story, full of double and triple crosses among the villains, plays out more like a crime story than a traditional western, with Buchanan stumbling into the middle of an already tense situation and escalating it simply by being present. The book comes in at a slim 152 pages, but it’s packed with characters, each with their own agenda, and never feels rushed. In fact, the multiple characters are so richly rendered that at times Buchanan risks becoming a guest star in his own book. Ultimately this only feels like a flaw because Buchanan so interesting the reader wants more. But Ard is in full control of his narrative, and the multiple plot threads come together in a surprising but satisfying way.  

Wednesday, April 8, 2020

The Hook #1- The Gilded Canary


The Hook #1 - The Gilded Canary by Brad Latham
Published by Warner Books 1981

The Hook was one of a handful of series from Warner Books short-lived Men of Action line. Most only ran for a few volumes, with their Dirty Harry series being the longest at 12 books. The Hook lasted for five, and if the other four are as good as this one I look forward to tracking them down.

Set in 1938, this series chronicles the adventures of William Lockwood a.k.a. The Hook, so nicknamed because of his boxing skills. He is a WWI veteran and now an insurance investigator assigned to high-dollar claims. In this installment he’s after an expensive necklace stolen from a popular singer at a New York nightclub frequented by both movie stars and gangsters. While a stolen necklace may not sound all that exciting, it isn’t long before bodies start to pile up. Since the Hook is an ex-boxer, the writer also finds lots of excuses for him to knock the crap out of folks. And have sex. The Hook really likes to fuck.

There seems to be some mystery as to the identity of the writer behind the Brad Latham house name. It was briefly thought that David J. Schow was the mystery man, but he says not

Most online reviews for this book are brutal. It’s called boring, dumb, and many complain about the graphic nature of the sex scenes, although I didn’t find them to be any more plentiful or graphic than the average men’s adventures series. I also thought the setting was well-realized. The pop-culture references and the dialogue sold the period well, and were fun to read. The whole thing put me in the mind of old movies series like The Falcon, or The Saint, but with way more boning. Maybe the series will go off the rails in future books, but it gets off to a great start.

Saturday, February 29, 2020

Happy New Year, Herbie & other stories

Happy New Year, Herbie & other stories by Evan Hunter
Published by Pocket Books 1963

Salvatore Albert Lombino wrote under several pseudonyms, the most well-known being Ed McBain, creator of the 87th Precinct series. Evan Hunter was the name he used for his more mainstream and literary work, this collection included. I state that fact merely to inform potential readers, not to deter those who have a knee-jerk reaction to the “L” word. Hunter was an excellent writer, and this is a fine collection of his short work.

While the stories lean distinctly in the direction of literary fiction, many of them have at least one foot in genre. The Tourists comes awfully close to being a horror tale, we get a little crime with The Prisoner, science fiction with The Million Dollar Maybe, and fantasy in The Fallen Angel. The 12 stories presented here are all radically different in tone and subject, and reading them straight through doesn’t reveal a formula or give a sense of repetition.

The best tale in the collection is also the first and longest, titled Uncle Jimbo’s Marbles. It tells the story of a young counselor at a summer camp who, having signed up along with his girlfriend so that they can spend the summer together, finds himself stranded on the opposite side of the river from his beloved when the boys camp is quarantined during a polio scare. The camp becomes obsessed with the game of marbles, specifically winning the titular ones from Uncle Jimbo, the champion player at the camp.  The story is lighthearted and funny, and eventually quite touching. The tone and voice of the first person narrator reminded me of Max Schullman’s Dobie Gillis.

This is simply a wonderful collection of stories, and should encourage fans of McBain to seek out more work by Hunter.       

The Only Girl in the Game

The Only Girl in the Game by John D. MacDonald
Published by Gold Medal 1960

This behind-the-scenes drama set in a Las Vegas casino could have easily become soapy melodrama in a lesser writer’s hands, but here is turned into a tense and absorbing tale of love and greed.

Though filled with a large number of characters, each with their own story, the central narrative involves hotel manager Hugh Darren, entertainer Betty Dawson, and oil-rich Texan Homer Galloway and their conflict with casino manager Max Hanes. Hugh and Betty are involved, but their relationship is threatened by the controlling and underhanded tactics of Hanes. Galloway has returned to the casino determined to win back the small fortune that he lost on his last visit, putting him at odds with Hanes as well. The various narrative strands circle and bump into each other until braiding together for a brutal finale.

 If the plot sounds standard the execution is anything but. MacDonald increases the tension gradually by backing his characters slowly into their individual corners. And then he goes and breaks your heart a little.

This is the good stuff. MacDonald’s prose is gorgeous and his dialogue sings. This is the first of his novels I’ve read, and I’m kicking myself for waiting so long. But in the plus column, since he was a prolific author I now have a whole new list of books to look forward to.




Friday, February 28, 2020

The Cold Cash War

The Cold Cash War by Robert Asprin
Published by Dell 1977

Before finding success with his Myth Adventures series Robert Asprin expanded his short science fiction story The Cold Cash War into this novel of the same name. Despite being well-written and intriguing- not to mention short at 187 pages- the book still carries a lot of padding. Furthermore, those coming to this expecting the humorous prose and witty banter of Asprin’s later work will be disappointed. TCCW is a cynical satire devoid of laughs. None of this is to say the book isn’t interesting, merely slight in both theme and impact.

The premise, corporations escalate their metaphorical wars with one another into actual violence and eventually an all too real war with the government, is an interesting one, unfortunately that single idea is all there is. The characters exist only to serve as representatives of the various sides in the conflict, lacking in personality or back story. The closest the book comes to a protagonist is Tidwell, a mercenary for the corporations. He has a bit more depth than the other characters in the book, and has something close to a story arc.

Cynical without ever being dark, amusing without ever being funny, this is an unusual book. It’s a quick read, and even mildly compelling despite the flatness of its characters. I have to wonder though, if the premise seemed more outlandish when it was originally published, because today it barely passes for fiction, let alone science fiction.

The TellTale Tart



The TellTale Tart by Peter Duncan 

Publisher: Gold Medal 1961


More slamming-door hijinks than mystery, The TellTale Tart is an odd duck. It begins when photographer Pete Farrell, along with writer Laura Ames, arrive on the private island of famous novelist John Hope Hamilton. Pete and Laura are initially there to write a feature article on Hamilton, but soon begin investigating the recent death of his secretary. A death the locals suspect was murder.

Despite the investigatory angle, this isn’t a detective novel, or even much of a mystery. The characters occasionally look for a missing journal that contains the answers they need, but the rest of the time is spent with Pete trying, and mostly failing, to get laid.The first-person POV is the saving grace of this slight tale. Self-deprecating and making humorous hay out of his sexual frustration, Pete is a fun narrator and it’s his voice that makes TheTellTale Tart a comic romp instead of a limp mystery.
 The story is preoccupied with sex without ever being overly explicit, all description is of the a-nod-is-as-good-as-a-wink variety.

Peter Duncan was a pseudonym for B.M. Atkinson, who apparently only wrote two books under the Duncan name. Other than a parenting book (What Dr. Spock Didn’t Tell Us) it appears Atkinson mostly wrote short fiction under his own name, some of which can be found online.